About

My name is Evgeniya Kutergina, a.k.a Kutega. My pottery practice is in Singapore.

Evgeniya's journey: Omsk to Singapore Word map showing Omsk, St Petersburg, Kuala Lumpur, Singapore Omsk Siberia, Russia St Petersburg Russia · university 2012 – 2016 Kuala Lumpur Malaysia · work 2016 Singapore home, for now 2017 – nowadays

I first tried pottery in 2021, a single trial class. Something stayed with me. In 2023 I came back to it properly, and it quickly became something I couldn't put down. I've been throwing at 3Arts Singapore ever since.

The wheel is where most of the work happens. A form goes taller than expected. A wall collapses and becomes something else. I sit down and 90% of the time I have no clear idea what I'm making. In the remaining 10%, I do, and it never turns out that way. For a long time I thought this was a problem. Now I think it's the point. I don't force it. The process is meditative more than anything else. I'm learning to listen to the clay rather than impose on it, and what comes out still surprises me.

I am inspired by biomimetic concepts, and this shows up in the work: shapes and surfaces that look like they came from somewhere else, forms that echo bone, bark, coral, stone. No glaze, or glaze that looks like it grew there. Rough where it wants to be rough. I don't smooth things that don't need smoothing. These pieces can look like they were pulled from the bottom of a shipwreck.

What I make tends toward statement pieces and vessels, not everyday ware. They ask to be looked at, and they often reward it: see them in morning light and again in the evening, and they won't look quite the same twice. You'll notice something you hadn't before. A shadow. A mark. A surface that catches differently.

I've taken the process further through woodfiring, Peter Seabridge's kiln in Tokoname, Japan in 2025, and GAYA Ceramic Art Center in Bali with ceramicist John Dix in February 2026. The ash from a woodfire lands on the surface and melts into it, leaving colours and textures that were never applied by hand. The flame marks what it decides to mark. Those pieces carry that. But the same instinct runs through everything I make: I want the process to leave a trace.

I don't know what the next piece will look like. That's still the part I find most interesting.

Kutega ceramics practice timeline 2021-2026 Timeline of Evgeniya's pottery journey from first class in 2021 to wood firing in Bali 2026 Aug 2021 First wheel pottery class Singapore Apr 2023 – Sep 2024 Wheel-throwing course at 3Arts master Tom Lim & master Belle Lam · 3Arts Singapore Sep 2024 – ongoing Membership & self-practice at 3Arts 3Arts Singapore Jul – Sep 2025 Self-practice at Tanakita Ceramics Jakarta, Indonesia Oct 2025 Wood firing workshop at Hibara Gama Tokoname, Japan · master Peter Seabridge Feb 2026 Wood firing workshop at Gaya Ceramic Arts Center Ubud, Bali · master John Dix & master Hillary Kane

To enquire about a piece, DM @kutega_craft on Instagram or email kutega.art@gmail.com.

Woodfired stoneware pieces by Kutega arranged on a table

If the work resonates but a piece isn't right for you, you can support the practice over a coffee. It goes toward clay, glaze, studio rent, firing and a place in the next wood kiln.

🫖 Support a firing